Doppler Concerto For Two Flutes Program Notes Haydn
A cookie is an alphanumeric identifier that is transferred to your computer's hard drive through your web browser. A cookie enables our system to recognize your browser and allows us to keep your session intact on ArkivMusic.com. This means, for example, that we can keep track of items you've placed in your shopping cart while you continue to look for other products throughout the site. We will never use cookies to retrieve information from your computer that did not originate from ArkivMusic.com.
(1749 - 1801) was the most popular composer of comic operas in the last 20 years of the eighteenth century. This concerto was written when he was at the height of his powers and popularity. His opera Il matrimonio segreto had premiered that year and was the hit of Europe. 1s 83 emulyator klyucha. It is commonplace but true to observe that this concerto has a melodic style and spirit evocative of opera buffa. The opening movement, Allegro, includes a succession of themes.
The score calls for two each of flutes, oboes, bassoons, horns, and trumpets, with timpani and strings. Haydn’s Symphony No. 102 is one of the last three symphonies composed for his second London visit of 1794-5. By this time, Haydn knew well what the London audience liked, and once again, he provided it. PROGRAM NOTES Joseph Haydn – Trumpet Concerto in E-flat Major, Hob. VIIe:1 Joesph Haydn Born March 31, 1732, Rohrau, Lower Austria. Died May 31, 1809, Vienna, Austria. Composition History Haydn composed this concerto in 1796; the date of the first performance is not known. The orchestra consists of pairs of.
The different styles of the themes give the two soloists a chance to show off their variety of technique, to deal with smooth, lyrical lines as well as darting staccato passages. Obrazec prikaza o snyatii s ucheta transportnogo sredstva 10. The development section is less than ideal; seems to emulate the symphonic style of or rather than giving the flutes varied material. He tries for a bit too much seriousness and technique, with the result that the flutes tend to get submerged in the orchestral working-out of ideas. The flutes return to the foreground in the second movement, an aria-like Largo in 3/4 time with frequent, fast flute figures over a moderately slow pulse. A half cadence leads without pause into the finale, marked Rondo: Allegretto ma non tanto. The movement is in a lightly dancing 6/8 time and has a jolly, relaxed mood that warms up as the flutes run through rapid series of sixteenth notes.
Parts/Movements • Allegro • Largo • Rondo. Allegretto ma non tanto Appears On.